DjMAmta

MAHARAJA (Tamil)
1
16 Jun 2024
By CHINMAY NAKHWA

A typical day at a barbershop turns unexpectedly eventful when three men engage in a spirited game of antakshari. Amidst them is the film’s protagonist, introduced in a humorous twist that sets the stage for the narrative ahead. However, this lighthearted beginning gives way to a tragic turn. Later, at a police station, the protagonist’s absurd missing person report leaves me perplexed about the film’s direction. Amidst meeting numerous characters, I struggle to find coherence in what unfolds before me. Yet, amidst this confusion, the protagonist’s intriguing request to the police captures my curiosity.

As I continue watching, the film’s narrative and execution strike me as halfhearted and underwhelming. At times, it feels clichéd and predictable, occasionally patronizing the audience’s intelligence. This discomfort grows as the plot, reminiscent of a bedtime tale, unfolds in a disappointingly basic manner. However, as the film approaches its climactic finale, my earlier misgivings begin to make sense, leaving me eager to shower it with praise.

“Makkal Selvan” Vijay Sethupathi’s fiftieth film, “Maharaja,” directed by Nithilan Saminathan, proves to be a masterclass in crafting a compelling story from a familiar template. Its transformation from frivolous beginnings to a profound message defies expectations. What initially seemed like superficial commentary by clueless police officers evolves into a poignant revelation that elevates the film significantly.

The non-linear storytelling of “Maharaja” initially troubles me in the first hour. Yet, as the pieces fall into place towards the climax, this narrative technique enhances the viewing experience dramatically. I find myself applauding the filmmaker’s daring approach and the film’s profound message delivered through a seemingly unserious premise.

Vijay Sethupathi’s performance as Maharaja is nothing short of stellar. His versatility—from comedic moments to intense expressions—is a joy to watch. While Anurag Kashyap’s character had depth, his portrayal fell short of expectations. Despite Sethupathi’s strong presence, no other actor manages to leave a lasting impression.

Technically, “Maharaja” holds its ground. As the screenplay grips me, I overlook the aesthetics and focus on the gripping narrative. The visual appeal, particularly the factory setting and the atmospheric lighting in night scenes, stands out. Sound, while not prominently used, complements the storytelling without overpowering it.

While “Maharaja” may not be flawless, its finale justifies the initial uncertainty. Nithilan Saminathan’s direction deserves commendation for blending humor into a narrative that tackles intense themes, leaving viewers with a thought-provoking conclusion. This rare achievement in filmmaking deserves celebration.